I just saw a new cut in my bicep and I have been insufferable the entire weekend.

• 1 Script:
  • Call Me By Your Name
• 2 Films:
  • War for the Planet of the Apes
  • Coco
• 7+ Pages:
  • The Many Deaths of Micah Poole
• 14 Hours of prep/rework/filmmaking knowledge:
  • The Class from Seed & Spark
  • DGA Podcast: Freak Show with Trudie Styler and Ira Sachs (Ep. 133)

  • Oscar-Winner Barry Jenkins: ‘People Told Me ‘Moonlight’ Would Be Career Suicide’ from No Film School

  • Here’s What Barry Jenkins Would Have Said at the Oscars, If Given the Chance from Vulture

  • The Screenwriter Of “A Wrinkle In Time” Had To Make Some Big Changes From The Original Book from Buzzfeed

  • ‘GIVE A SHIT,’ AND OTHER SXSW FILM COMMANDMENTS FROM DARREN ARONOFKSY from Film School Rejects

  • “How Do You Communicate Backstory, Motivation and Theme Without Dialogue?” A Quiet Place Screenwriters Bryan Woods and Scott Beck at SXSW 2018 from Filmmaker Magazine
  • Financiers at SXSW 2018: Don’t Make Big-Budget Indie Films & Other Film Financing Tips from No Film School
  • The Art of Casting: Why You Don’t Need a Famous Actor in Your Film from No Film School
  • Didn’t Get That Theatrical Deal? The Sundance Creative Fellowship Wants You to Consider Self-Distribution from Indiewire
  • Directing Actors: Common Conflicts and How to Avoid Them from No Film School

  • 4 Habits Greta Gerwig Picked from Other Directors to Run her Set from Mentorless

  • Five Questions with Amber Sealey, Director of No Light and No Land Anywhere from Filmmaker Magazine

  • What We Talk About When We Talk About Female Filmmaking from Film Crit Hulk Blog
  • How They Did It: Juggling Three Hats to Make the 12-Day, Five-City Feature Toss It from Moviemaker Magazine