- 1 script:
- Writing Group TV Pilot
- 2 Films:
- Fantastic Four
- Captain Underpants
- 7+ pages:
- Road Trip First Draft/Spy Feature
- 14 hours of prep/rework/filmmaking knowledge:
- Writer’s Group Meeting
- Revisions on First Feature
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Working with Aspect Ratios: Which Is the Right One for Your Film? from No Film School
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THR Critics’ Conversation: Female-Driven Filmmaking Gave Sundance 2018 a Jolt from The Hollywood Reporter
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How Reed Morano Directed the Handmaid’s to Make You Feel Everything Like Offred from Mentorless
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These Real-Time Visual Effects Will Remind You Not to Believe Everything You See on TV from Gizmodo
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Sundance Runsheet: Attending Filmmakers Shouldn’t Fest Without Checking These Boxes First from Moviemaker Magazine
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9 Easy Ways Screenwriters Can Learn From Failure from Screencraft
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MoviePass Gets Into the Film Acquisition Game from No Film School
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The 2018 MovieMaker Sundance Survey: We Take the Pulse of Nine Narrative Features Playing in Park City from Moviemaker Magazine
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Tiny Crews, Last-Minute Changes, and More ‘Colossal’ Sundance Production Challenges from No Film School
- How the ‘Clara’s Ghost’ Filmmakers Used Family to Make a Hilarious ‘Haunted House’ Movie from No Film School
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“I Dug In My Heels”: Damon Cardasis on Capturing LGBTQ Youth in Saturday Church and Shooting a Scene in 15 Minutes from Moviemaker Magazine
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Things You Should Know When Designing Costumes for Your Characters from No Film School
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Boots Riley And The Cast Of ‘Sorry To Bother You’ On The Bold, Whimsical Film (Sundance Interview) from Shadow and Act
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How Filmmakers Are Making Text Graphics Pop in 2018 from No Film School
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Struggling With Your Second Feature? Take Cues From 9 Sophomore Sundance Directors from No Film School
- Chloe Sevigny Reveals Disappointment With Her New Sundance Film ‘Lizzie’ in Candid Interview from Indiewire
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How a Sundance Film Pulled Off a 90-Minute Single Take from No Film School
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Sony A7R III Review: The New King of Mirrorless Cameras from Gizmodo
- The Director’s Cut Podcast: Mudbound with Dee Rees and Mira Nair from the DGA