My Writing Group has started again and I’m so happy.

READ:

• The Formula for a Winning Pitch from Screencraft
• How to make a feature film in 2018 from Jim Cummings
• “I Make Stories to Chase that Freedom”: Five Questions for Selah and the Spades Director Tayarisha Poe from Filmmaker Magazine
• Limited Shoots, Scheduling Nightmares, and More Sundance Production Challenges from No Film School
• Admit When You Need Help, Work with Friends, and More Advice from the Sundance Filmmakers from No Film School
• How a Director Shot His Sundance Feature on 16mm Film in Just Three Weeks from No Film School
• Steven Soderbergh on ‘High Flying Bird’ and Shooting on an iPhone from No Film School
• We Analyzed Over 12,000 Screenplays. Here’s What We Found from Screencraft
• ‘Rust Creek’ Director Jen McGowan on the Importance of Prep Time from No Film School
• HOW TO FUND YOUR MOVIE: A BEGINNER’S GUIDE TO FILM FINANCE from KitSplit
• Breaking and Entering, Part One: How To Shoot Down Self-Doubt and Pay the Rent While Making It In the Film Industry from Moviemaker Magazine
• On the Money: The Director of Holly Star Breaks Down How Budget Consciousness Can Make or Break Your Production from Moviemaker Magazine
• “Being In Charge Of Your Own Story”: Tony Gilroy on the Joys and Embarrassments of Being a Writer-Director from Moviemaker Magazine
• ‘The Farewell’: How Lulu Wang Turned Her Family’s Biggest Lie Into a Sundance Breakout from No Film School
• The Best Manifesto: Quit Your Job, Spend 10 Days with Your Friends & Make a Movie from No Film School
• Sundance’s ‘The Wolf Hour’: Why You Shouldn’t Write the Script You Think Hollywood Wants from No Film School
• Critics’ Debate: What Is a “Sundance Movie”? 2019 Edition Broadens the Picture from The Hollywood Reporter

WROTE: 15 pages of a rewrite.

SAW:

• Money